Pete's Expert Summary
My human, in their infinite and often misguided wisdom, has acquired this... thing. It's a sprawling mat, purportedly for a "newborn," which I assume is a very small, uncoordinated human with questionable taste. The brand, Fisher-Price, is known for its loud, plastic offerings, and this "Glow and Grow Kick & Play Piano Gym" is no exception. Frankly, the educational component promising to teach colors and numbers is an insult to my intelligence. However, I must concede that the tactical advantages are intriguing. The soft, machine-washable surface presents a new and pristine napping territory. Furthermore, the dangling array of objects—a jingle ball, a crinkle thing, a reflective surface—shows some promise for batting practice and keeping my hunting skills sharp. The light-up piano, however, threatens to disrupt the serene auditory landscape of my domain, and its worthiness is highly suspect.
Key Features
- Newborn baby gym with 4 ways to play as baby grows, plus music, lights & learning fun
- Smart Stages learning levels with 85+ songs, sounds and phrases that help teach animals, colors, numbers and shapes
- Removeable piano has 5 multi-colored light-up keys, 4 musical settings with freestyle piano play & the popular purple monkey “Maybe” song
- High contrast arch with 10 repositionable linkable toys: 1 jingle ball, 1 butterfly teether, 1 crinkle toy, 1 self-discovery mirror and 6 colorful shape links
- Soft, machine-washable playmat features loops to attach toys
A Tale from Pete the Cat
It appeared in the living room without warning, a garish splash of color and plastic that offended my minimalist aesthetic. The human called it a "playmat." I called it an invasion. My initial reconnaissance revealed a flimsy archway from which several trinkets were suspended over a soft pad. A pathetic offering. I circled it warily, tail twitching in annoyance, while the human cooed about its "developmental activities." As if my development wasn't already complete perfection. I decided to ignore it, a silent protest against this juvenile intrusion. I would nap on the far superior velvet armchair. My resolve lasted approximately seven minutes. The glint of light off the small, dangling mirror was a persistent, taunting star in my peripheral vision. I crept closer, belly low to the ground. This was not play; this was an investigation. My first target was the crinkle toy. A gentle pat. *Crinkle*. A more forceful bat. *CRINKLE*. The sound was satisfying, like the rustle of a vole in dry leaves. Next, the jingle ball. It sang a metallic little song as I batted it back and forth, a simpleton's melody, but one I could control. I was the conductor of this cheap orchestra. I even paused to examine the face in the mirror—a devastatingly handsome gray cat with impeccable white markings. The apparatus was starting to prove its merits. The final challenge was the large, foot-level keyboard. The "Kick & Play Piano," the box had boasted. I am a cat of dignity and grace; I do not "kick." I approached it with the solemnity of a bomb disposal expert. I extended a single, perfect paw and deliberately pressed a key. A jarringly cheerful note rang out, accompanied by a flash of red light. An assault. I pressed another. A different note, a blue light. Then, without warning, the machine unleashed its ultimate weapon: a chipper, synthesized voice began to sing about a purple monkey. It was a sonic atrocity, an unforgivable crime against music. I had two choices: retreat in horror or assert my dominance. I chose the latter. I leaped onto the keys with all four paws, creating a cacophony of frantic, dissonant chords and flashing lights. It was a symphony of chaos, a protest song against purple monkeys and canned musical jingles. I was the composer, the performer, the avante-garde artist reclaiming this space. The human laughed, thinking it was a game. They were wrong. It was a hostile takeover. The playmat is now my stage, the dangling toys my subjects, and the piano my instrument of sonic rebellion. It is a worthy adversary.