VTech Musical Rhymes Book, Red

From: VTech

Pete's Expert Summary

My human, in their infinite and baffling wisdom, has presented me with what appears to be a slab of hardened, crimson plastic. This "VTech Musical Rhymes Book" is, I deduce, a noise-making device intended for the smallest, most slobbery of their kind. It assaults the senses with garish colors and promises of "learning," a concept I find entirely useless unless it involves the precise location of the treat bag. The flimsy pages and the nonsensical pictures of smiling farm animals are an insult to my intelligence. However, I will concede a flicker of professional interest in the five piano-style buttons and the small, slidable plastic bits. These features suggest a potential for percussive testing and manipulation, which might briefly distract me from the existential ennui of a sunbeam shifting a mere two inches to the left.

Key Features

  • Easy-to-turn pages feature engaging nursery rhymes and cheerful pictures
  • Twist and slide fun play pieces on colorful pages
  • Learning and music modes introduce age-appropriate vocabulary, music and instrument sounds
  • 5 colorful piano buttons play music and introduce instruments and colors
  • Baby book is intended for kids 6 months to 3 years of age; 2 AAA batteries included for demo, use new batteries for regular use

A Tale from Pete the Cat

The intrusion began during my mid-afternoon meditation session on the plush living room rug. A sharp, electronic melody, something about a sheep losing its way, shattered the perfect silence. My eyes snapped open. There it was, a crimson monstrosity, left unattended. My human was gone, probably to fetch me a less-than-satisfactory brand of wet food, leaving this bizarre artifact in their wake. I approached with the silent, fluid grace befitting a creature of my station, my white-tipped tail twitching in annoyance. It was an idol of some sort, a shrine to poor taste. A disembodied voice chirped, "Let's read a story!" I flattened my ears. An unseen entity was trapped within the plastic prison, forced to recite mind-numbing verses for eternity. A grim fate. I circled it, sniffing for weaknesses. My paw reached out, not to play, but to interrogate. I ignored the ridiculous spinning wheel and batted at a purple button shaped like a tiny piano key. A loud, synthetic trumpet blast erupted, startling a flock of pigeons outside the window. A thrill, cold and sharp, shot through me. Power. This changed everything. The nursery rhymes were a distraction, a clever camouflage for the device's true purpose. This was not a book; it was an instrument. A control panel. I was no longer a mere observer; I was a conductor. My left paw jabbed the blue key—a piano chord. My right tapped the orange one—a drum beat. I began to compose. A staccato rhythm of trumpet, drum, piano, trumpet, trumpet. It was a chaotic, atonal symphony of my own making, a protest against the insipid pre-programmed melodies. I was a maestro of mayhem, a virtuoso of vexation. The human returned and stared, head tilted. "Oh, Pete, you found the baby's toy!" Baby's toy? The fool. They couldn't comprehend the complex musical tapestry I was weaving. I gave them a look of pure disdain and deliberately pressed the green key, unleashing a jarring guitar riff. Let them have their nursery rhymes. I had unlocked the machine's soul and found it spoke my language: pure, unadulterated noise. The book itself is worthless, but as a percussive instrument for expressing my creative genius? It is, for now, acceptable.