So, the Human has brought another plastic effigy into my domain. This one, from a brand called McFarlane Toys, is a grim, muscle-bound fellow in a gray and black suit, clearly meant to be admired from afar rather than properly played with. It's an "action figure," which is human-speak for "a doll you're not supposed to call a doll." They’ve given him a ridiculous number of joints, a fabric cape with a wire in it—which, I admit, sparks a flicker of interest—and a little cardboard picture to stand in front of, as if he's too important to be seen with our actual walls. Ultimately, he seems destined to gather dust on a shelf, a silent, frowning monument to the Human's questionable spending habits, though his little Batarang-on-a-rope might provide a fleeting moment of entertainment before it's lost under the couch.
The box arrived with the tell-tale scent of industry: bleached cardboard and that specific, sterile plastic smell that signals an object with no nutritional value. The Human handled it with a reverence usually reserved for the sacred can of wet food, which immediately put me on high alert. He called this new thing "The Dark Knight," a rather theatrical title for a seven-inch man. From my observation post atop the bookshelf, I watched him extract the figure, a study in gray and shadow, not unlike my own superior coat. But this creature was stiff, grim, and utterly devoid of the relaxed elegance I embody.
Once freed, the Human began to contort the figure's limbs, a grotesque ballet of clicks and snaps. He was marveling at its "Ultra Articulation." I was unimpressed. I can articulate my own form into a perfect, liquid loaf without making a single sound. The most curious element was the cape. It wasn't the flimsy, static-charged polyester of lesser toys. This was a "wired soft goods" cape. The Human bent it, and it *held* its shape, creating a dramatic, windswept look in the still, climate-controlled air of the living room. It was a lie, but it was an interesting lie.
The Human, satisfied with a pose of what I can only describe as "heroic constipation," placed the figure on its special display stand before a printed backdrop of a lightning storm. Then, as fate would have it, the kettle shrieked from the kitchen, a summons he could not ignore. He left the little man standing sentinel on the coffee table. My moment had come. I descended from my perch with the silence of a falling shadow and approached the intruder. A perfunctory sniff confirmed its lifelessness. I gave its head a gentle *boop* with my nose. Nothing. It was a rock with delusions of grandeur.
My interest shifted. I extended a single, perfect claw, honed by countless hours on the sisal scratching post, and hooked the very edge of the cape. I pulled, not with destructive force, but with the gentle curiosity of a connoisseur. The wire inside gave a faint, metallic groan and the fabric billowed into a new, artful shape of my own design. Ah, yes. The figure itself was a bore, a stoic piece of shelf-clutter. But its cape... its cape was a canvas. This little plastic man wasn't a toy. He was the stand for a far more engaging sculpture project. He could stay. For now.
Exhibit A — the specimen
The Particulars
—McFarlane Cover Recreations are inspired by the most iconic comic book artists. Recreate famous covers with the included action figure and deluxe base with backdrop
—BATMAN as featured on the cover of BATMAN: THE DARK KNIGHT RETURNS #1
—Incredibly detailed 7” scale figure based on the DC MULTIVERSE
—Designed with Ultra Articulation with up to 22 moving parts for full range of posing and play
—Accessories include 4 extra hands, Batarang with rope, wired soft goods cape, and deluxe display base with cover reprint backdrop
—Includes collectible art card with character art on the front, and character biography on the back
—Collect all McFARLANE TOYS DC MULTIVERSE figures
Pete's Verdict
★★★☆☆
The cape redeems the bore
Classified
Acquire This Trinket
Should you insist. Pete is unbothered either way.
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Filed under: McFarlane Toys