Pete's Expert Summary
My human has acquired another dust-gatherer from the McFarlane Toys brand, this one a rigid, pointy fellow in a stark black and white costume that, I must admit, complements my own formalwear. This "Azrael" character is, I deduce, a statue—a word humans use for a toy that has had all its joy and interactivity surgically removed. It is made of polyresin, which means it’s hard, cold, and entirely devoid of feathers, strings, or even a tantalizing electronic red dot. Its supposed value comes from being "Limited Edition" and "hand-numbered," human concepts as meaningless to me as the closed pantry door. Its only potential appeal lies in its 8.5-inch height and its perch upon a high shelf. Its primary function, therefore, appears to be testing the laws of gravity, a scientific endeavor I am always willing to supervise.
Key Features
- Highly detailed statue stands approximately 8.5” tall (including base)
- Inspired by the artwork of Joe Quesada
- Made of polyresin
- Hand-numbered on the base
- Limited Edition
- Collect all McFarlane Toys DC Direct Figures and Statues
- 1:10th Scale Statue
A Tale from Pete the Cat
The box it arrived in was far more interesting than its contents, but the human shooed me away from the delightful corrugated cardboard to reveal the silent figure within. They placed it on the highest point of the great wall of books, a summit I myself have conquered on many occasions. From its perch, the statue watched. I knew, logically, it was inanimate. But the way the shadows fell across its severe, masked face gave it an unnerving presence. It was an effigy of judgment, a monochrome gargoyle brought into my kingdom to usurp my role as the silent, watchful overlord. For a full day, I observed it from various napping spots. It did not move, did not waver. It simply stood, its cape-like appendages sharp and menacing, its posture one of absolute conviction. My human would occasionally glance up at it and nod, muttering something about "Quesada's linework." I saw only a rival. That evening, as I prepared for my nightly ritual of loudly demanding a snack despite having been fed an hour prior, I caught its silhouette against the moonlit window. It seemed to say, "Your supplications are meaningless, mortal." This would not stand. The next afternoon, I decided a direct confrontation was necessary. I made the effortless leap from the armchair to the mid-level shelves, then a final, graceful bound to the summit. I landed without a sound, a gray shadow next to a resin one. Up close, I could appreciate the craftsmanship. The sculpted lines were indeed precise, the black and white contrast stark and dramatic. It had a certain aesthetic quality. But it smelled of nothing but paint and defiance. It stood on a base, hand-numbered "347/5800." A number. How quaint. I was number one, the only number that mattered. I sat there for a long moment, nose-to-pointy-mask with the pretender. We were two masters of the night, one of flesh and fur, the other of polyresin and hubris. I gave it a test. A soft brush of my tail against its leg. Nothing. I leaned in, rubbing my cheek against its base, marking it as my property. Still, it stood, impassive and resolute. Its stoicism was, in its own way, a challenge. It would not play, it would not yield. It would only *be*. So, I left it there. I did not shove it to its doom, for that would be too simple a victory. Instead, I claimed the space beside it as my own. Now, when the human looks up to admire their precious statue, they see it for what it truly is: a handsome, if slightly brooding, accessory to my own magnificent self. It serves as a fine backdrop for my naps, a silent butler to my majesty. It is utterly useless as a toy, but as a throne accent? Acceptable. For now.