Bicycle Rider Back Playing Cards, Standard Index, Poker Cards, Premium Playing Cards, Red & Blue, 2 Count (Pack of 1)

From: Bicycle

Pete's Expert Summary

So, my human presented me with these... flat, papery rectangles. Apparently, they are called "Bicycle Playing Cards." From what I can gather, they are intended for a bafflingly static human game that involves long periods of sitting and staring, a tragic waste of what could be prime petting and lap-warming time. However, I must admit a certain professional curiosity. The promise of an "Air Cushion Finish" suggests a superior glide-factor on the hardwood floors, which could provide a brief, yet thrilling, diversion. While the human ritual itself is a non-starter, the individual components possess a certain lightweight, skittering potential that might just save them from being utterly useless.

Key Features

  • STANDARD INDEX PLAYING CARDS: Enjoy the ideal balance of size and functionality with our Bicycle Rider Back Playing Cards. Perfect as poker cards, these standard index cards are adorned with the iconic Rider Back design
  • TRUSTED BICYCLE QUALITY: Experience the feel of perfection in every game with these high quality playing cards. Each card boasts an Air Cushion Finish, providing an easy handling and shuffling experience
  • VERSATILE GAMING: These cards open the door to countless games of skill and chance. From poker and blackjack to euchre, pinochle, rummy, and canasta. Unleash your inner gamer with this versatile deck of playing cards
  • DOUBLE THE FUN: Elevate your game night with a set of two decks of cards. Whether you're organizing a card night or simply want a backup deck, this deck of playing cards duo ensures you're always ready for the next shuffle and deal
  • ECO-FRIENDLY & MADE IN USA: Crafted in the USA with 100% recyclable FSC paper, our Bicycle Cards embody an unparalleled blend of sustainability and quality. Feel good about your purchase knowing these playing cards contribute to a greener planet

A Tale from Pete the Cat

The sound was what first disturbed my slumber. Not the usual clatter of a dropped utensil or the vulgar rumble of the Great Roaring Beast in the driveway. This was a crisp, rhythmic whisper. A soft *shifff-shifff-thwack* that sliced through the quiet afternoon air. It was منظم, precise, and deeply unnatural. I cracked open one green eye, my tail twitching in annoyance. The sound came from the dining table, a territory I generally ignore unless illicit scraps are involved. My human was sitting there, manipulating a small, colorful brick, splitting it, weaving it, and snapping it back together with an air of profound concentration. I flowed off the armchair and approached with silent paws, my tuxedo-furred form a shadow against the polished floor. The brick, I saw now, was two: one red, one blue. He was focused on the red one. He laid the thin, flat objects out in neat, offensive little patterns. Kings, Queens, numbers… an entire silent army marshaled on the wood grain. I sat and watched this bizarre pageant, my cynicism piqued. What was the point? There was no pouncing, no chasing, no satisfying crunch. It was the antithesis of play. But then, as he dealt a final card, his hand faltered and a single rectangle—a Queen with a red heart—slid from the stack and skittered across the table's glossy surface. It didn't just fall; it *coasted*. It rode on a pocket of air, silent and swift, coming to a rest near the edge. My ears perked forward. My whiskers twitched. Now *this* was interesting. The human sighed, momentarily distracted by his glowing rectangle. This was my opening. In one fluid motion, I was on the table. Ignoring the human's mild protest, I nudged the fallen Queen with my nose. The texture was smooth, yet matte. The famous "Air Cushion Finish," I presumed. I gave it a tentative pat. It shot across the table like a startled mouse, spinning gracefully before coming to a stop. Oh, the possibilities. I was no longer looking at a boring human game. I was looking at a box of fifty-two high-performance, low-friction chase-able tiles. The human had it all wrong. Their purpose wasn't to be arranged in boring lines; it was to be liberated, to be sent flying into the glorious chaos of unpredictable physics. With a sweep of my paw, I scattered the neatly arranged poker hand. Cards flew, fluttering and gliding in every direction. The King of Diamonds spun under the sofa, the Jack of Spades disappeared over the side. The human groaned, but I knew I had revealed the toy's true potential. I had saved it from a life of tedium. It was, I decided, a product of exceptional quality—but only when used by an expert.