Friendly Loom Potholder Pro Weaving Kit | 10”x10” Sturdy Metal Loom and Quality Cotton Weaving Loops | Complete Kit to Weave 2 Large, Durable Potholders | Made in The USA

From: Harrisville Designs

Pete's Expert Summary

My human has procured what is called a "Friendly Loom Potholder Pro Weaving Kit" from Harrisville Designs. The purpose of this contraption appears to be the systematic entanglement of perfectly good, brightly colored cotton loops on a cold metal grid. The goal is to produce a thick, useless square mat for handling hot kitchen items, a task I feel could be accomplished with a simple, folded towel. From my superior vantage point, the entire enterprise seems a tragic waste of potential. The metal loom is a bore, and the finished potholder is an object of profound inertness. However, the raw materials—the soft, perfectly sized cotton loops—show immense promise as individual, high-quality batting toys. The human's "screen-free activity" will provide a delightful opportunity for me to "assist" by liberating these loops before they are forever imprisoned in a non-playable form.

Key Features

  • Larger 10”x10” Loom – Features a 10”x10” sturdy metal loom that holds loops securely for easy, no-slip weaving, perfect for bigger potholders.
  • Quality Cotton Loops – Includes cotton loops in vibrant rainbow colors (additional colors sold separately) are soft and strong for weaving durable potholders.
  • Complete Weaving Kit – Includes metal loom, cotton loops to weave 2 large potholders, weaving hook, crochet hook, and instructions.
  • Screen-Free Sensory Activity – Encourages creativity, fine motor skills, and hand-eye coordination for all ages.
  • Made in the USA – Trusted quality craftsmanship for generations of crafters.
  • Makes 2 Usable Potholders – Weave two large potholders for practical kitchen use, personalized gifts, or creative craft projects.

A Tale from Pete the Cat

It arrived in a box, as all new disappointments do. The human, with that familiar glint of misguided enthusiasm in her eyes, unpacked the contents onto the living room rug. My initial survey revealed a collection of parts: two shiny metal sticks, a bag of colorful rings that smelled faintly of dye and possibility, and a square metal frame that looked like a window to a very boring, grid-like dimension. I yawned, displaying my utter lack of interest, and began to wash a paw. This was clearly another human folly, destined to collect dust. Then, the ritual began. She sat cross-legged on the floor, the metal grid in her lap, and began stretching the little cotton rings—the "loops"—across the frame, one by one. A line of red. A line of orange. My washing paused mid-lick. This was not the chaotic fumbling I was used to; there was a pattern, a quiet deliberateness to her actions. The soft *thwump* of each loop seating itself on the metal pegs was a hypnotic rhythm. I crept closer, my belly low to the ground, my gray fur a shadow on the floorboards. This wasn't crafting. This was some sort of coded message being laid out before me. The metal weaving hook, the "stylus of fate," came out next. She began to weave it through the colorful latticework, pulling and tucking. I watched, transfixed, interpreting the patterns as they shifted. A block of sunny yellow next to a sliver of sky blue? A clear prophecy of a warm sunbeam appearing by the window in the next hour. A chaotic jumble of green and purple? A sign that the mysterious pot of catnip on the high shelf would soon be accessible. I saw our shared future being written in this cotton tapestry, and I even tried to influence it, batting gently at a loose red loop to suggest an earlier dinner time. When she was finished, she used the crochet hook to bind the edges, lifting the completed prophecy from the loom. It was dense, solid, and strangely... silent. The vibrant, living message I had been reading was now a compressed, lifeless mat. She held it up, proud of her "potholder," utterly oblivious to the story it had told. She placed it on the kitchen counter, where it now sits. A useless artifact. The magic, I realized, wasn't in the finished product; it was in the telling. A worthy distraction, I suppose, but I do wish she hadn't sealed the prophecy shut. Now I'll have to find another way to know when the sunbeams are coming.